Carol Burnett, Taking its title from the George and Ira Gershwin song of the same name, Bogdanovich’s quirky ninth effort centers on a trio of private detectives (John Ritter, Ben Gazzara, and Blaine Novak) investigating the infidelities of two different women, the wife of a European tycoon (Audrey Hepburn, in one of her last performances, coaxed out of semi-retirement by Bogdanovich) and another New Yorker (Dorothy Stratten, whose death would overshadow the film; she and Bogdanovich were seeing each other when she was murdered by her estranged husband). Peter Bogdanovich's Movie of the Week: 52 Classic Films for One Full Year , Ballantine, 1999. Sign up for our Email Newsletters here. ", "Targets", & "Noises Off" are on The Best Movies Directed by Peter Bogdanovich on Flickchart. Peter Bogdanovich - American film historian, author and director Peter Bogdanovich is best known for his critically acclaimed film, The Last Picture Show. Monte Landis, PG READ MORE: Watch Owen Wilson And Imogen Poots In Clip From Peter Bogdanovich’s ‘She’s Funny That Way’, “The Cat’s Meow” (2001)The late ’80s and the ’90s in general weren’t hugely kind to Bogdanovich (even he concedes that awful 1988 Rob Lowe vehicle “Illegally Yours” was one of his worst), but he came back into critical favor with, if not a roar then at least a kittenish purr, making 2001’s “The Cat’s Meow.” A long-gestating project reportedly based on an anecdote related to Bogdanovich by Orson Welles, it saw him return to a luxurious period setting (this time an immaculately appointed 1920s yacht on which a variety of famous people are having a party) and deliver a nicely observed, gently acidic tragicomedy — the exact vein that many of his most successful films tapped. “What’s Up, Doc?” (1972)The throwback tendencies of Bogdanovich’s latest, “She’s Funny That Way,” arguably make it feel old-fashioned, but the director’s most successful take on the screwball genre, “What’s Up, Doc?” managed to somehow refresh the films it was so obviously referencing. | He began his career on stage under the tutelage of famed acting teacher Stella Adler. Drama. Peter Bogdanovich Stars: 118 min It’s not quite one for the ages, but the sprawling cast, most of whom play real-life people, gamely mine the script’s twists: Edward Herrmann as William Randolph Hearst; Kirsten Dunst as Hearst’s love, Marion Davies; Eddie Izzard as a flirtatious Charlie Chaplin; Joanna Lumley as romantic novelist, Elinor Glyn; Jennifer Tilly as gossip columnist, Louella Parsons; and Cary Elwes as the doomed producer, Thomas Ince, whose mysterious death aboard the yacht the film purports to explain. Rotten Tomatoes ranks his best films here. We use cookies to ensure that we give you the best experience on our … During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership. “Saint Jack” (1979)If much of Bogdanovich’s output feels slightly out of step with the experimental, counter-cultural vibe of his contemporaries’ work, perhaps the closest he ever hewed to his generational zeitgeist was with this 1979 picture, based on the Paul Theroux novel of the same name. | With a name like that, it doesn’t come as a shock to either us or Addie that Moses Pray — a man who could be her father because they’ve “got the same jaw” — is a con-artist, swindling whoever he can whichever way possible (but mostly by peddling Bibles to widows). Estelle Getty, Votes: Stay on top of the latest breaking film and TV news! Madeline Kahn, Director: Stars: Bogdanovich would become lifelong friends with most of this cast (Ritter was one of his closest buddies), and it shows; its fetching qualities trump its baggy, wandering plot. | | Shop movies directed by Peter Bogdanovich on DVD, VHS, and rare video formats at Alibris. Young Sonny Crawford (Timothy Bottoms) is growing up fast with best friend Duane (Jeff Bridges) and high-school prima donna Jacy (Cybill Shepherd, making her screen debut) in a Texas town that’s two blocks left of nowhere, at times interacting with, at times just standing witness to the town’s array of hopelessly sentimental (and sentimentally hopeless) characters. | A list of the top films directed by Peter Bogdanovich, R Moses finds himself stuck with Addie after he pays respects to her recently deceased mother, and gets forced into driving her to her aunt’s place. One of the major figures leading the late renaissance of the American cinema in the 1970s, Peter Bogdanovich (b. Director Peter Bogdanovich, best known for a string of successes in the 1970s–including The Last Picture Show and Paper Moon–was close friends … Gazzara plays Jack, an affable American expatriate, who’s been living so long in Singapore that he’s part of the scenery in its Red Light district, where he runs a hotel/brothel that caters to visiting tourists. | He went o | 26,009 See all news An elderly horror film star, while making a personal appearance at a drive-in theatre, confronts a psychotic Vietnam War veteran who has turned into a mass-murdering sniper. Acted in Targets, Saint Jack, and Directed by John Ford She is a total revelation as Addie; through gestures, expressions, and succinct line-delivery, she goes toe-to-toe with her dad (who is, needless to say, absolutely brilliant as well), often stepping all over him and making a strong bid for Strongest Female Character of the ’70s. Helping that process too is Bogdanovich’s filmmaking, which, again coupled with Kovacs’ understatedly romanced cinematography, keeps a certain cool remove in place, allowing the actors’ bigger moments to feel true and tremendous, without becoming histrionic. “They All Laughed” is certainly not a perfect film, but its homespun quality, palpable camaraderie, and playfully loose performances make for a movie that’s easy to harbor deep affection for nonetheless. While it’s tempting to ascribe many of the film’s issues to the source novel (Daisy is explicitly a shallow, capricious, and not terribly interesting character, even as written on the page), there are directorial choices on Bogdanovich’s part that falter too, especially if we consider he was, at this point, coming off an all-time, hall-of-fame, one-two-three of “The Last Picture Show,” “What’s Up, Doc?” and “Paper Moon.” Perhaps he can be forgiven for imagining he was infallible. 118 min But in a time when iconoclasm became the norm for a brave new generation of young filmmakers, seemingly intent on outdoing each other in terms of finding not just new stories to tell but wholly new ways to tell them. Films include The Last Picture Show, Paper Moon, and Targets. Stars: Peter Bogdanovich's new film She's Funny That Way stars Owen Wilson, Imogen Poots, and Jennifer Aniston, and harkens back to the screwball comedies of yesterday. But often we don’t see how these things play out, as Bogdanovich assembles the film impressionistically, so that it becomes less a linear narrative and more a thoughtful exploration into the quandary at the heart of Jack’s expat experience: is it possible to truly belong somewhere where you will always be a foreigner? Copyright © 2021 Penske Business Media, LLC. Streisand, still some way off her diva-ish years, even pokes fun at the national obsession with her nose in a fab rendition of Cole Porter‘s “You’re The Top.” And O’Neal sends up his romantic lead persona when Judy bats her eyelids and quotes, “Love means never having to say you’re sorry,” the inane catchphrase to his career-making hit, “Love Story,” and he fires back “That’s the dumbest thing I ever heard.” Funny because it’s true. Denholm Elliott, Attractively played and handsomely mounted, it’s a slight film, “solving” an insoluble mystery that no one really remembers nowadays anyway, but it does boast that unusual texture of sadness, and a best-ever description of lonely, exotic Hollywood as “a place just off the coast of Planet Earth.”, Next tier down, there are some other Bogdanovich titles that, if not quite essential, still have flashes of greatness. In fact, many of his best films have a Janus-like aspect to them, partially of the moment, forward-looking, progressive, full of exuberance and an optimistic sense of the wide-open possibilities of the contemporary filmmaking landscape. Votes: 8,518 | Gross: Barry Brown plays the befuddled suitor through whose eyes we see the story, and Eileen Brennan, as always, enlivens the film in a non-comedic role as the stentorian society matron who is scandalized by Daisy’s inappropriate behavior, but even they, and a great Cloris Leachman as Daisy’s ineffectual mother, are in orbit around Shepherd’s Daisy, who is asked to do little more than chatter, flirt, and twirl her parasol. 2018; 1h 42min; PG; Directed by: Peter Bogdanovich An introduction to the work of silent film master Buster Keaton. But the director’s incipient talents and concerns are most served by the second storyline, in which Boris Karloff, who owed producer Corman two days’ work, plays Byron Orlock, a riff on Karloff himself — an aging star famous for playing Hammer Horror-style monsters. Our marketplace offers a huge selection of movies from sellers worldwide. Comedy. | “Mask” (1985)There’s nothing as tragically unhip as sincerity, which means that Bogdanovich’s mid-80s hit, based on a true story that literalizes the idea of The Beauty Within, cannot but feel terribly unfashionable now — almost a byword for the kind of mawkish, sentimental Housewife’s Favorite that keeps the Lifetime Channel going. | Gross: | | Stars: Tell us what you think about this feature. Peter Bogdanovich Peter Bogdanovich’s startling debut feature is both a brilliantly constructed thriller and a disturbingly prescient look at the rise of mass shootings in America. John Ritter, PG-13 The Best American Movie Writing 1999, edited by Peter Bogdanovich and … Unfolding over the course of a few years, what structure the film has is lent by the recurring character of William Leigh (a superb Denholm Elliott), a somewhat naive Englishman who comes by once a year from Hong Kong to do the books for Jack’s Chinese bosses. | Co-starring Patti Hansen as a taxi driver who roves in and out of the plot, “They All Laughed” isn’t quite hilarious, but it is charming, amusing, and features winning warmth. Part of the wave of "New Hollywood" directors, Bogdanovich's career started as a film journalist until he got hired to work on Roger Corman's The Wild Angels (1966). pantheon — he indisputably was. Director: | Peter Bogdanovich's Movie of the Week: 52 Classic Films for One Full Year - Kindle edition by Bogdanovich, Peter. But “Daisy Miller,” which he made under the auspices of The Director’s Company, a short-lived experiment in an auteur-led production company that he founded with Francis Ford Coppola and William Friedkin, feels like a much more constricted film than his last several had been, and while Cybill Shepherd attracted a lot of the critical ire at the time, it’s not so much her fault as it is Bogdanovich’s that she’s so irritatingly unlikable in the role. Stars: A lot of this is down to real chemistry with both stars on spritely, self-deprecating form. And yet there’s already nostalgia here too. Cybill Shepherd, “All the good films have already been made,” claims his onscreen character, Sammy Michaels (named in deference to Sam Fuller), as he covetously watches Howard Hawks‘ “The Criminal Code.” It’s a crisis of confidence brought about because Orlok, feeling old and irrelevant, has decided to retire before shooting Sammy’s passion project — because classic storytelling feels like it has no place in this confusing new world, where lumbering bogeymen have been replaced in the collective fear unconscious by Matt Damon-alike psychos whose bland exteriors carry no hint of the depravity beneath. Indeed, Bogdanovich’s early work revealed a gift of Wellesian proportion that should have presaged one of the great careers of all-time, but it didn’t because of what happened after those films: Peter Bogdanovich lost his mojo and made a series of flops—Daisy Miller, Nickelodeon, Saint Jack, At Long Last Love, et. | Gross: Comedy. Barbra Streisand, Semi-true story of the Hollywood murder that occurred at a star-studded gathering aboard William Randolph Hearst's yacht in 1924. Alvin Sargent’s exhilarating screenplay, Bogdanovich’s intricate direction, László Kovács‘ beauteous black-and-white photography, and all the supporting characters whose casual demeanors and idiosyncrasies seamlessly blend into the picture’s tenderness, make “Paper Moon” nothing if not a cinematic miracle. As unlikely as it seems, the worldly, gregarious Jack finds a lovely understated sense of fellow feeling with the quiet, starchily decent William, perhaps because the latter seems to fit into the mold of the brash Brit expat even less than he does into Jack’s seedy milieu of prostitution and protection rackets. $30.93M, G 90 min | Drama, Romance. 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One is a slightly anonymous Roger Corman cheapie, inventively shot by regular Bogdanovich collaborator Laszlo Kovacs (“Five Easy Pieces,” “Easy Rider“) and discomfitingly prescient in its plot, which sees an ordinary young man turn mass murderer, first at home, then as a highway sniper, then at a movie theater. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. | Director: Peter Bogdanovich | Stars: Tim O'Kelly, Boris Karloff, Arthur Peterson, Monte Landis. With his most recent movie, “She’s Funny That Way,” which stars Owen Wilson, Imogen Poots, Kathryn Hahn, Jennifer Aniston, and Will Forte opening in theaters this week (our review is here), here are our nine favorite Bogdanovich films as a timely reminder, if such were needed, of our blog-mate‘s particular, peculiar, and highly individual genius. 94 min | Gross: “Targets” (1968)If Peter Bogdanovich’s first feature is not a great film it’s only because it’s really two films. Madeline Kahn, But while curiously devoid of subtext or satire, the film is gorgeous to look at, dressed in resplendent finery, and is infinitely better than the musical misfire “At Long Last Love” that followed, taking Bogdanovich’s Shepherd obsession to its event horizon. 7,781 102 min READ MORE: Interview: Peter Bogdanovich Talks ‘Cold Turkey,’ The Endless Frustration Of Orson Welles’ ‘The Other Side Of The Wind,’ And More, “The Last Picture Show” (1971)Thanks to the somewhat surprising success of “Targets,” the road was paved for Peter Bogdanovich to go on to direct three bonafide American classics in a row — the filmscape of the bountiful 1970s would be forever changed for the better — starting with “The Last Picture Show.” One of the most profoundly felt coming-of-age stories to ever grace a silver screen, it’s the kind of slice-of-life that cuts deep into the gaps within existences, delicately focusing on those human interactions which have within them the power to change one’s perception of the surrounding world, woven together with soulful moments of amiable or poignant reflection. Top 10 Portrayals of Jesus Christ in Movies. But fashion be damned, because “Mask” is really good — the best possible version of itself — marked by great performances across the board, that, from the opening frame, conspire to make you forget the manipulation machine in which you are involved. | Patti Hansen, He later gained wider popularity for his critically acclaimed drama The Last Picture Show (1971), which earned eight Oscarnom… One Day Since Yesterday: Peter Bogdanovich & the Lost American Film Bill Teck, 2014 + 27. more films. Bogdanovich's second fiction feature came together when BBS Films (home of Fonda and Hopper's Easy Rider [1969]) enlisted Bogdanovich to write and direct a project of his choice. $3.21M, See titles to watch instantly, titles you haven't rated, etc. Peter Bogdanovich –with Nikola Grozdanovich and Rodrigo Perez. Eric Stoltz, Audrey Hepburn, Kenneth Mars, Votes: Set into her sumptuous ’20s costuming like a pearl, Dunst cuts an almost tragic figure as the woman that these “great” men might fight and kill for, with the shallowness of the high-life partying lifestyle evoked not just in its decadence and excess but also in its emptiness. Even anti-establishment, counter-cultural “revolutions,” such as the one that occurred in Hollywood throughout the 1970s, can become a hegemony of sorts. | And, of course, Bogdanovich has always popped up regularly as an actor, most notably in his recurring role on “The Sopranos.”. | Arthur Peterson, Not because he was not part of that crew, that fabled Altman/Coppola/Friedkin/Ashby/De Palma/Scorsese/etc./etc. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Peter Bogdanovich concluded his trifecta of ’70s masterpieces with an eternally adorable road-trip comedy-adventure featuring Ryan O’Neal as Moses Pray and O’Neal’s 9-year-old daughter, Tatum, as Addie Loggins. John Hillerman, Votes: Director: | With his very first film it feels like wanted to pay tribute to, and almost even grieve at the passing of that torch. Peter Bogdanovich Celebrity Profile - Check out the latest Peter Bogdanovich photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Meanwhile, an indigent woman named Brooke Carter and an … Even anti-establishment, counter-cultural “revolutions,” such as the one that occurred in Hollywood throughout the 1970s, can become a hegemony of sorts. A worthy film every Week with a long and varied career lot this... Out there eagerly agitating for the rehabilitation of “ Illegally Yours “ a huge selection of Movies sellers! 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